In an essay of approximately 1000 words (with a typical font and spacing, this will be approximately 4 pages), respond to the following question.
Three statues of David—those of Donatello, Verrocchio, and Michelangelo—symbolize various aspects of the Renaissance. Discuss these three separate works of art, and show the elements of continuity and transformation they exemplify and that define the various "Renaissances." Which is your favorite? Tell us why.
Do this using ONLY the examples that Soltes discusses and explains in his lectures. Do not use Internet sources for inspiration nor as help.
Soltes, Ori. Lecture 19: “Toward High Renaissance in Central Italy” Goldman Professorial Lecturer in Theology and Fine Arts at Georgetown University. Retrieved online from Youtube.
Soltes, Ori. Lecture 21: “The Rebirth of Classical Dynamism” Goldman Professorial
Lecturer in Theology and Fine Arts at Georgetown University. Retrieved online from Youtube.
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In this essay, three statues of David—those of Donatello, Verrocchio, and Michelangelo—symbolize various aspects of the Renaissance as explained by Professor Soltes. The three separate works of art will be discussed in terms of the elements of continuity and transformation they each exemplify and that define the various “Renaissances.” Also, Donatello’s statue will be discussed as this writer’s favorite.
In Art history, the statue of David has been sculpted numerous times by different artists. As Soltes reminds us, the story of David is famous in the Bible. He was the guy who killed the giant Goliath with a single slingshot. Soltes takes the time to explain that even in the continuity of art history, of taking on the same theme, examples of transformation show how movements in art change over time.
For example, in the version of David Verrocchio creates David is a just a teenager with good taste in clothes and in Donatello’s David he is barely a boy. Michelangelo’s David is a full grown adult! So in this way, let us look at the details of continuity and transformation that exemplify these three works of Renaissance art.
Let us first talk about Michelangelo. Soltes talks about in his lecture on “The Rebirth of Classical Dynamism.” By looking at the sculpture it is easy to see that nothing about this David is imperfect. He is a handsome man without any physical deformities and he is larger than life. ...
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