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The opening subject begins loudly at a quick tempo with an upward arpeggio that lingers on a dissonant note before descending, zigging and zagging toward the middle register when the second entrance, the answer, comes in with the same figure in the left hand.
The counterpoint in the right hand harmonizes the left hand subject at a lower volume. Rhythmically it is more sparse than the subject with spaces of silence between the more active subject heard in the left hand. It also occupies a much narrower range than the subject.
The countersubject enters after the four entrances of the subject have finished their cycle. The countersubject marks a striking contrast from the exposition by its lower volume and lighter touch. The short-lived melody is taken over by the developmental episodes in just a few seconds, making the countersubject a sort of transitionary melody...
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