Guidelines:
First, number each measure. Then, conduct both a roman numeral analysis and a formal analysis of the work contained in this folder.
With the roman numeral analysis, be on the lookout for secondary functions (dominants/leading tones), mode mixture, Neapolitans, +6 chords, cto7 chords, enharmonic respellings, common chord modulations, direct modulations, etc.
If you see numbers above/below notes, ignore them. They're fingerings.
For your formal analysis, examine phrases and their relationships, determine the form (binary, rounded binary, ternary, song, blues, rondo, sonata, etc.) and mark the important formal sections in the score using letters or formal terms (Exposition, Development, Recapitulation, etc.) Also, identify the type of each important cadence. Then, create a timeline of the work, of the type we have learned in class. This can be done in the Audio Timeliner or by hand. It should feature measure numbers, key centers, cadences, labeled phrases and their relationships (a, b, a', etc), and large formal sections (A B C, Development, etc.).
After you have completed your analyses and timeline, write a brief article (less than 2 pages, not including images/diagrams/tables/music, etc.) on the work itself.

The composition is as follows:
This should be a melody + accompaniment (piano or organ or something else using the grand staff) with roman numeral analysis which features the following:
Mode mixture
Modulation to distantly related minor key
Neapolitan chord
It+6 chord and Ger +6 chord (Ger+6 should resolve to I6/4 or i6/4 then V)
Modulation using enharmonic reinterpretation of Ger+6 as V7 of new key or V7 as Ger+6 of new key.
Return to original key, through additional modulations if necessary.
Melody should fit the given chords, though NCTs are fine.

Guidelines: First, number each measure. Then, conduct both a roman...